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It fell 38 positions to number 48 in its third week.
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"Chun-Li" also logged the greatest jump on the Hot 100, 82 positions, since Katy Perry's " Roar" (2013) jumped 83 spots following a full tracking week. The song became Minaj's sixth top 10 entry as a lead artist–and her first solo single to enter that region since " Anaconda" in 2014–and 16th overall, extending her record for most top 10 singles among female rappers. It ascended to number 10 the following week, selling 38,000 copies and earning 22.1 million streams. "Chun-Li" debuted at number 92 on the US Billboard Hot 100 after a day of tracking, with 20,000 downloads sold and 3.5 million streams, and four days of radio airplay. But now, for the first time since the beginning of her career, there's someone who might plausibly shoot back, and win." John Kennedy from XXL said the song is "open enough for Nicki to get her bars off à la her mixtape days." Maeve McDermott of USA Today said, " Chun-Li sees Nicki out for blood, with the track named after a Street Fighter character who seeks revenge after her father's murder."
Minaj aims shots at unnamed antagonists, but in the past, that bluster felt truly targetless. Critical reception īianca Gracie of Billboard said "Minaj sounds cocky in the best way she resurrects her Nicki the Ninja alter-ego by assassinating the horn-driven beat with her lyrical wordplay, switching accents with ease." Jon Caramanica of The New York Times said, "these are sparring records–loose, pugnacious, a little uncentered 'Chun-Li' swaggers with the authority of the mid- 90s. The video was accused of perpetuating Asian stereotypes and appropriating Asian culture by outlets such as Cosmopolitan and Teen Vogue. It has over 160 million views on YouTube. Its music video won the Best Hip-Hop Video at the 2018 MTV Video Music Awards, and was nominated for Best Hip-Hop at the MTV Europe Music Awards. It features Asian futuristic/ superhero-inspired outfits. It was directed by Steven Klein through Good Company Pictures. The full accompanying video of the song was released on May 4, with the subtitle 春麗, which translates to Chun-Li. However, she confirmed on her Instagram that the teaser was not related in any way to the music video and is rather a video of her and Aliya Janell, the choreographer of the official video, doing a freestyle dance to the song. On April 27, Minaj released a teaser to promote the official music video. In the visual, Minaj recites the lyrics of the song while posing on a couch, but relinquishes control of her phone for a couple of runway-like shots. It is a video montage of videos filmed by Minaj while holding her phone vertically.
Music videos Ī vertical music video for the song was released on April 13, 2018, via Minaj's YouTube channel. "They need rappers like me! So they can get on their fucking keyboards and make me the bad guy, Chun-Li," she declares in the second interlude. Lyrically, Minaj "rails" (criticizes) online detractors and references negative press in the track. The song was done in early April 2018, including writing, production, mixing and mastering. He made about 13 different beats, and Minaj picked out one. She proceeded to rap it and give him the vibe. Minaj linked with Reid in late December 2017, and later explained to him what kind of beat she wanted for the song. The song is sonically built on slapping, percussion, and sparse soundbeads. According to him, Minaj wanted to deliver the type of " boom-bap" flavored beats that are reminiscent of New York City hip-hop. Reid for Chevi Muzic, alongside Minaj who was credited as a coproducer. "Chun-Li" was produced by Atlanta-native producer J. Problems playing this file? See media help. Production Ī sample of the song, where the second interlude and the chorus can be heard. On May 30, Minaj posted a video showing the making of the song, in preview of her upcoming documentary about the making of Queen set to air on HBO Max in 2021.
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The release of songs landed on the 10th anniversary of Minaj's second mixtape, Sucka Free (2008).
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"Chun-Li", which takes its name from the Street Fighter character of the same name, was released alongside the buzz single "Barbie Tingz" as a part of Minaj's upcoming fourth studio album Queen (2018) and made available for streaming and digital download on April 12 by Young Money Entertainment and Cash Money Records.
On April 10, 2018, Minaj announced on Instagram that she would be releasing two new songs: " Barbie Tingz" and "Chun-Li" on April 12, and also posted cover artworks of the respective singles. In March 2017, Minaj released a three-single pack that included " Changed It" with Lil Wayne, " No Frauds" with Drake and Wayne, and " Regret in Your Tears", intended as lead singles for Queen but eventually did not make the final cut.
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